Papavero floor lamp designed by Achille and Pier Giacomo Castiglioni for Flos 1964
The lamp consists of an opaline glass diffuser, a brushed metal rod and a Carrara marble base. The diffuser is formed by a double blown cap which makes the shade soft and finished both outside and inside the cap. The design is minimalist but the quality of the materials and light make it a timeless classic. The condition of the floor lamp is very good apart from some slight chipping on the marble base, the flaws are highlighted in the photos but in reality are hardly visible, also because they are in the lower part of the base. The item is published in Domus issue 421 (December 1964), p. 33 - cm
H169 x W37 x D37
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Luminator floor lamp mod.Alfa 1930s
The floor lamp mod. Alfa produced by luminator italiano in the 1930s has become a true typology, And many manufacturers have copied its design in more or less detail, some such as fontana arte and flos have named their models after the company in homage to this historic model. The bulb socket is e40, but it is nevertheless fitted with an e27 adapter. Bibliography: Domus 87, march 1935, p. 22. The lamp is in good condition but has patina, small dents and signs of wear, consistent with its age, highlighted in the photos. cm H176 x W32 x D32
The lamp, designed by Angelo Lelii, is made of brass with a marble base and frosted glass diffusers.
The design of the small cup containing the glass diffusers is very beautiful, as is the detail of the central joint and the lenticular base.
The lamp is in good original condition with some patina on the brass but no significant defects.
There is a slight scratch on one of the cups.
The patina and slight signs of wear are highlighted in the photos.
The lamp is published on page 309 of the book 'Arredoluce Catalogo ragionato 1943-1987' by A. Pansera, A. Padoan and A. Palmaghini for SilvanaEditoriale
Triedo lamp designed by Joe Colombo for Stilnovo 1970
Joe colombo was inspired for this floor lamp by the spotlights used for photographic sets. The light, thanks to the shaped metal shade bent into three parts, is reflected without dazzling. The design is essential but the attention to detail highlights the beauty of the technical object without needing any decoration - cm
H170 x W29 x D29 -
Table or desk lamp designed by heinrich siegfried bormann around 1932.
Base and diffuser of painted metal, stem of chrome-plated metal.
The stem can be raised and lowered and the diffuser can rotate on both axes, assuming various positions.
Bibliography: barbara mundt, produkt-design, 1900-1990, eine auswahl, berlin, kunstgewerbemuseum, berlin, 1991, p. 68 / klaus weber, die métallwerstatt am bauhaus, exh.
Excellent condition. E27 lamp holder. cm 20x50hx20
Trio of chromed metal spotlights produced by the german company Staff and designed by Rolf Krüger in 1966.
The spotlights have three different heights and can be combined in different ways. Cm 10x10x12h; Cm 10x10x20h; Cm10x10x28h.
They are in perfect condition, all lamps have the company's trademark; they are part of a new old stock.
The Stilnovo spotlight is made of enamelled metal and moulded glass, being watertight it can be used both indoors and outdoors.
The lamps are reminiscent of Joe Colombo's Fresnell lamps for Oluce. In this version the spotlight has a wall mounting bracket that allows vertical orientation.
The lamp is in good condition, it's a part of a new old stock. cm 20,2hx13,7wx20d
The Stilnovo spotlight is made of enamelled metal and moulded glass, being watertight it can be used both indoors and outdoors. The lamps are reminiscent of Joe Colombo's Fresnell lamps for Oluce. Six lamps are available in green. By adding three feet and a wire with socket and switch, the lamp can become a table or bedside lamp.
The lamp is in good condition, it's a part of a new old stock. cm h21 x ø14
This Stilnovo wall lamp has a long, fixed arm with the light directed upwards, which allows for ambient lighting without the need for ceiling light points. The bulb it uses is halogen.
The Stilnovo mark is located on one side of the lamp head.
The item is in perfect condition, working and never used. It is part of a new old stock.
Cm 16hx27wx68d.
The floor lamp consists of a moulded opal perspex diffuser, a brass stem and a black cast iron base; it can be used both as a reading lamp and, thanks to the opal diffuser, as an ambient light. The lamp was designed by the Gregotti-Meneghetti-Stoppino Studio in 1966, the designers worked together from 1953 to 1969.
Bibliography: Catalogo Arteluce anni '70, p. 69; G. Gramigna, Repertorio del design italiano 1950-2000 volume 1, p.130. The object is in good original condition apart from some age-related oxidation spots visible on the brass rod. cm 50x65x165h
The floor lamp is one of the first lamps produced by Stilnovo. The base in this version is made of Verona marble, the shade was made new with a green velvet border.
It carries 3 bulbs with an E27 socket, 2 on the sides that illuminate the lampshade and 1 in the upper bowl that sends light upwards, the bulbs can be switched on separately.
The lamp was published in Domus No. 242 of January 1950.
The lamp is in good condition, the cup holding the lampshade has been repainted externally. The brass retains its original patina. There is a chipping on the marble base visible in the photos - cm H176 x ø60
A spectacular Murano glass table lamp designed by Toni Zuccheri for VeArt, formed by a sphere with folds going inwards.
This is the coloured version with shades ranging from yellow to green and ending in a beautiful blue-grey, The lamp is in excellent condition apart from a few slight scratches visible when the lamp is switched on (see photo) - cm ø30x27h -
A spectacular murano glass table lamp designed by toni zuccheri for veart, formed by a sphere with folds going inwards. This is the transparent version, where the glass almost looks like a sheet of ice.
Veart was founded in 1965 by sergio billiotti and ludovico diaz de santillana, the latter being not only the founder of veart but also the artistic director of venini. Toni zuccheri was a designer, architect but above all a glass artist. He worked with the greatest murano manufacturers, from venini to barovier & toso, and created glass sculptures both in italy and abroad.
The lamp is in excellent condition apart from a few slight scratches visible when the lamp is switched on (see photo), the lamp plug has been replaced. The item is not marked- cm ø30x27h -
The 'Alba' lamp was designed by Ettore Sottsass for the electricity company Enel, this is a version made in only 100 signed and numbered pieces. In contrast to the current production lamp, which has a glass base, this version has a ceramic base while the blue sphere is still made of frosted glass. The lamp is in perfect condition and shows no signs of wear. Under the base the lamp is signed and numbered 75/100 and there is a label with the name of the designer, the year of production and the manufacturing company. - cm H32 x W16 x D16
Polished brass frame, opaline glass diffusers, red Plexiglas lower discs.
The chandelier designed by Lelii takes the typology of the classic chandelier and reworks it with more modern forms that emphasise the quality of the materials.
Angelo Lelii founded the Arredoluce company in the post-war period, producing and designing lamps of high design and construction quality. The chandelier is in excellent original condition. The ceiling attachment cup is oxidised in an irregular manner - cm 60øx127h -
Murano glass table lamp made using the technique known as Reticello or Doppia Filigrana, one of the most difficult hot techniques to perform, invented in Murano around the middle of the 16th century. The Reticello technique is a variant of Filigrana, obtained from the double interlacing of the canes used for decoration. In practice, two overlapping and crossed rows of canes are formed and then fused together. Good Condition
cm 20x20
Ceiling lamp with three triangular section white satin glass pendants.
Triangular plaque for attachment to the ceiling in wood and plastic laminate, new electric cables in aqua green fabric.
Glass diffusers in perfect condition, small defects almost invisible to the ceiling plate. H120.0 x ø40.0 cm
This pendant lamp produced by Stilnovo in the 1960s consists of two caps, the lower cap in etched glass, the upper cap in enamelled metal.
The two caps are joined by the beautiful detail of the three brass joints that cross the enamelled metal cap supporting the glass cap, creating a beautiful contrast between the materials.
The lamp is in good condition, there are three small holes on the metal top cap, the reason for which is unclear - cm 60øx90h
Aminta floor lamp in nickel-plated brass with diffuser in opal glass. In very good condition, with some small signs and very light oxidation - H177.0 x ø48.0 cm -
Ceiling lamp in opal white Perspex and aluminum. In very good condition, some scratches on the internal surface of the plate that is fixed to the ceiling, visible only when you are exactly under the lamp.
- H13.0 x W42.5 x D42.5 cm -
Unusual arc wall lamp in chromed metal, designed and produced by Goffredo Reggiani in the 60s. The white methacrylate ring that crowns the reflector illuminates diffusing the light. In very good condition, some slight scratches on the chrome parts, but nothing particularly disturbing - H100.0 x ø40.0 cm -
Floor lamp in glazed ceramic with abstract decorations and three-legged base in black painted metal, the ceramic lamp body is in perfect condition, the metal base has been repainted. -W21.0 x H84.0 x D21.0 cm
Chandelier in jacketed Murano glass composed of an internal layer of opal white glass and an external layer of "straw-colored" glass. In very good condition, the metal parts have slight signs of oxidation.
H110.0 x ø35.0 cm
The ’Alba’ lamp was designed by Ettore Sottsass for the enel electricity company. It is made entirely of glass, but while the base is in polished glass, the blue sphere is in satin-finished glass. The same collection includes the ’Sciuko’ lamp by Achille Castiglioni and the ’Aria’ lamp by Michele De Lucchi. The lamp is in perfect condition and shows no signs of wear. Under the base there is a label with the name of the designer, the year of production and the manufacturing company. - cm H32 x W16 x D16
The arms of the chandelier are articulated and can rotate, and so are the colored aluminum diffusers. In good vintage condition, the brass is in patina, lacks of paint, particularly on the counterweights.
H105.0x ø60.0 cm
Desk lamp with two lights, completely in brass. Thanks to the two spherical joints, the stem and the lampshade it can be oriented in any direction. It carries two bulbs with E27 socket. The lamp is in very good condition, with patina. A tiny, almost invisible bump on the top of the lampshade - cm ø30 x 37h
Chandelier in chromed metal and disks in transparent and milky Murano glass- In good condition, it shows some oxidation on the metal parts, one disc has some light scratches. - W31.0 x H72.0 x D31.0 cm
Methacrylate (Vedril Montecatini) with junction elements in satin and burnished nickel-plated brass.
In very good condition, there is a scratch on the top of the lamp shade, highlighted in the photo.
W50.0 x H62.0 x D50.0 cm
Dark brown lacquered MDF panel, with 3 lights applied with brushed and engraved aluminum reflectors.
In very good condition, apart from a dent on the top left corner, barely visible. - W45 x H100 x D10 cm -